Located in the park of the Coronation, it is dedicated to the famous metallurgist of Lepe, Álvaro Alonso Barba, and represents a smelting furnace like the ones described in his work “El Arte de los Metales” (On the Arts of Metal).
This zampuzo was first established in 1984 and was open until 1997 under the name El pistolero, the nick name by which the father in law of the present barkeeper was known. The reopening of the pub, in the Calle Encarnación in Lepe, took place in April 2012, when Juan Romera decided to open the business again and baptised it with his own last name. As to the features of this establishment, this zampuzo is the most spacious of all and has a cuisine and two barbecues at the disposal of its guests. This zampuzo has a particularly varied clientèle. Each day the old of age visit this pub and sometimes also the young of the village gather to meet up with their friends.
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Located in the quarter of La Arboleda, it is one of the most modern Andalusian venues for the development of artistic and cultural activities and expressions. It has a versatile stage that offers ample performing options and an orchestra pit next to it with capacity for fifty musicians.
The seating capacity consists of six hundred seats and can be increased to six hundred and fifty. Moreover, the building has booths for on the air presentations with a specific circuit of six sockets for local television.
Apart from the entrance halls for the organisation of exhibitions, the theatre includes a harmonious permanent exhibition hall and a multipurpose hall. Moreover, it has other halls for cultural education through municipal workshops as diverse as painting, handicraft, photography, music or theatre.
Declared a Site of Cultural Interest in 1985. This architectural element is a clear example of the rise of the Mudejar style architecture in the province from the second half of the 14th to the 16th century and its later resurgence in the 19th century. It regards a window divided by a mullion which supports two basket arches framed by tiling. It was integrated in the façade of the building known as “Casa Grande” in the Calle Oria Castañeda which belonged to a high ranking council member or a wealthy merchant of the town, judging from its large surface and its proximity to the emblematic buildings. This is the only element of the old building that survived.
At the end of the 19th century it was transformed into a tenement house until it was purchased by the Town Council and demolished in order to build the cultural centre. The ajimez was installed in the façade of the library, where it can be contemplated in its fully restored state.
It regards a humble and charming one storey chapel on the Atlantic shores where the residents worship the patron saint of the seafarers, Our Lady of Mount Carmel. The figure is taken out in a procession, borne by the residents on 16 July and is carried around on a modest barge on the waters of the Lepe coast.
The chapel is located in the Calle de las Monjas, in the vicinity of the disappeared monastery of the Piedad. The construction project has been worked out by María José García, the design of the belfry by Aurelio Madrigal and the fresco paintings by the painter Francisco Sánchez. On the dome the four Evangelists are being represented, as well as the belfries of the parish church and the church of the disappeared monastery, as well as the Opening of the Heavens with the Holy Ghost. On the right-hand wall the old coat of arms of the brotherhood, the custody and an open mountain with the image of Our Lady of La Bella, as well as a placard of praise to the Holy Sacrament are depicted. The stained glass represents the Annunciation of Leonardo Da Vinci. Apart from the image of Our Lady of Solitude we can contemplate the simpecao (emblem with the inscription of the Immaculate Conception) of the brotherhood, a Christ Child from the 19th century, an old canopy, the processional cross of plated silver, the gold embroidered cubrecupón (veil that covers the ciborium) of the 18th century, an edict proclaimed by Pope Paul V in the 16th century and the four books that contain the history of the Brotherhood since 1750.
It is a freestanding building in Mudejar style, dating from the 16th century. Inside, some coins stricken in the time of the Catholic Monarchs have been found. It consists of a rectangular base of one sole nave in bricks, with a transverse arch and a presbytery covered by an octagonal vault upon interlacing squinches. Within its walls there were three niches. In the main niche the figure, of great stature, of the saint to whom it was dedicated could be found. This has been transferred to the parish. This chapel erects itself in the present-day Calle San Cristóbal, of what used to be one of the old gateways of the town, at the crossroads that connected the towns of the marquessates of Ayamonte and Seville, possibly a place of compulsory prayer for those who travelled through Lepe. When its religious purpose ceased in the 19th century, it was transformed into a public slaughterhouse that kept on operating until the eighties of the 20th century. The Lisbon earthquake wreaked havoc on the old construction. The simpleness of its façade is probably a consequence of the reforms undertaken after the aforementioned earthquake. Its rounded arch with impost and thread is flanked by two Tuscan pilasters that support the upper horizontal cornice. Recently it has undergone a rehabilitation process which concluded with the recovery of part of the old paintings on the walls and the vault, consisting of two series: the Evangelists St. Luke, St. Mark, St. Matthew and St. John, as well as biblical characters of the Old Testament, Kind David, Isaac, Ezekiel or Zechariah and Moses.
